INKtober 2026 - eleven years later…

Many years ago, when Instagram still seemed fairly new in my world, I happened across a challenge someone had posted called INKtober. It was September of 2015, and the idea played around in my mind as something perhaps I should do.

I hadn't created anything new all summer. Not since a pack of three pit bulls attacked me early that spring. The traumatic experience had left me with wounds far deeper than the physical ones. For the first time in my life, even the studio and creativity didn't feel like a healing place.

Fear held me hostage.

October 1st rolled around without me committing to the challenge or creating a drawing. But later that night, sleepless and wide awake, I crawled out of bed, plucked two pens from a drawer, found a sketchbook somewhere in the house and made an ink drawing.

And then I kept going.

Every single day for the rest of October, I made a drawing and shared it publicly. I remember squeezing a daily drawing into the spaces and places life took me. Drawing while waiting for dinner at a restaurant in Billings before heading to a rodeo with Raymond. Drawing at home. In the studio. In the wilderness. One dawn, after we'd danced alongside generations of a family at an autumn barn dance, I sat on a dry grassy hillside and drew their historic barn.

Curiosity and discipline got the drawings made. Courage helped me post them. Ink is unforgiving. You can't erase. There were imperfections. These were exercises. I certainly hadn't set out to make anything “sell-worthy,” whatever that means…

But to my surprise, people responded. They began asking if they could purchase the drawings. Some I gave away. Many found homes.

I kept just one.

A little drawing of the Velveteen Rabbit from a favorite childhood story. Looking back now, I believe I saw something of myself in that tender, well-loved and unintentionally abandoned little rabbit. Somehow, that stuffed rabbit spoke to the place I was finding my way out of.

Those 31 days became what I later described in my Journal as “baby steps through the fear.” And now, eleven years later, October 1st has rolled around again. This time, I'm saying yes before the day slips away.

INKtober 2026 begins today.

I will create one original 6 × 8 inch ink drawing every day throughout October and share it as it emerges. This time, each new original will also be offered for sale.

I don't know what today's drawing will be.
That's part of the adventure.
31 days. 31 original drawings.
One day, one drawing, one small act of creative courage at a time.

Follow INKtober 2026 as the collection unfolds →

Munch Steps Out

Last year I shared the story of Munch being reborn in porcelain; a long-ago sold-out bronze finding an entirely new expression through a collaboration with my dear friend and master ceramist mold maker Jeremy Hatch.

This month, Munch stepped out into the world.

I donated this porcelain sculpture, along with one of my palm-size porcelain bunnies, to the Big Bend Fine Art Auction, benefiting the Livingston Center for Art and Culture. Before the auction, the works were exhibited at the Danforth Museum. I loved seeing this little luminous creature out of my studio and holding its own in a room filled with beautiful art.

Perhaps my favorite moment was seeing Munch nestled beneath the work of renowned painter, and absolute dear human being - Kevin Red Star.

There is something rather magical about seeing artwork leave the intimacy of the studio and begin having conversations with other artwork, other artists and new people.

Want to see how Munch made the journey from bronze to porcelain?
Read
“Whisper of Porcelain, Echo of Bronze” →

Living Brave

Three days after returning from the Yukon, I pulled the hiking boots and high-country gear out of my carry-on and replaced them with heels, boots, bling and outfits for Living Brave Live in Denver. Quite the gear shift - but honestly, it’s not at all unusual for my trip packing to appear rather eclectic, as I often mix business and formal events with backcountry adventure. You know…heels and ice crampons, sculptures and climbing harnesses, rodeo and mountain bike, etc.

New Friends

How joyful to join 2,000 women from more than 30 countries for a few days of deep diving into courageous business possibilities.

I met beautiful, inspiring women of all ages. I listened, laughed, danced, dressed up and took notes. I returned home with insight into some of the ways I’ve been living small and inspired to step up my game, be braver and live more boldly.

When Art Finds Its People

For the fourth year in a row, Raymond and I returned to Loveland, Colorado, for the annual Sculpture in the Park show.

Created by artists for artists, it is the largest and one of the most esteemed outdoor sculpture shows in the country. Run by a giant posse of enthusiastic volunteers, the juried show brings together top-notch sculptors from around the world.

We arrived a few days early so I could spend time at the foundry, to oversee the final finishing and patinas on bronzes before the show. We reconnected with old friends, made new ones, talked art and bronze and life… and sent more than a few sculptures off into the world with people to love them.

But perhaps my greatest joy is simply witnessing the response. The spark in someone’s eyes when they meet Jake. A little critter cupped tenderly in someone’s hands. The personal stories people share with me. The unexpected hugs.

I spend much of my life alone in the studio making things. I’m learning how beautiful it is to stand on the other side of that process for a few days and receive the love coming back.

Full of gratitude and warm-fuzzies.

Fire Horse

There are moments when something opens… and there is no going back to the way it was before.

On stage…

Vú Ja Dè was one of those nights - an evening of artists gathering without script, creating in real time, held only by presence and trust.

“Paint and tears flowing - my edges felt edgeless - my heart soft, expansive and powerful.”

From my journal…

Painting while sharing energy, love, loss, presence…it felt like riding a Fire Horse bareback.
Gentleness. Power.

Moments barely hanging on - knowing I could be thrown, and also feeling the horse and I in flight.

I had to trust memory carried through lifetimes of making while immersed in the energy of the audience - the energy of my dear friends on stage and my own emotions.


Prayer and play.

I wasn’t just painting a horse - I was cracking something open in myself. The veil was thin. I became devotion.

Now I am back in the quiet of the studio. Back in the stable. Muscles still trembling from the ride.

The painting is here with me and I am listening for what it wants now.

Vú Ja Dè was a threshold night. An activation. A transformation. Holding intense presence. Feeling everything. No sense of time

Flow - and flowing.

Offering and receiving. Emergence and impermance revealed.

For those who feel curious to witness the evening as it unfolded, the livestream is still available here → Vú Ja Dè event photos courtesy of Yarrow Kranner