INKtober 2026 - eleven years later…

Many years ago, when Instagram still seemed fairly new in my world, I happened across a challenge someone had posted called INKtober. It was September of 2015, and the idea played around in my mind as something perhaps I should do.

I hadn't created anything new all summer. Not since a pack of three pit bulls attacked me early that spring. The traumatic experience had left me with wounds far deeper than the physical ones. For the first time in my life, even the studio and creativity didn't feel like a healing place.

Fear held me hostage.

October 1st rolled around without me committing to the challenge or creating a drawing. But later that night, sleepless and wide awake, I crawled out of bed, plucked two pens from a drawer, found a sketchbook somewhere in the house and made an ink drawing.

And then I kept going.

Every single day for the rest of October, I made a drawing and shared it publicly. I remember squeezing a daily drawing into the spaces and places life took me. Drawing while waiting for dinner at a restaurant in Billings before heading to a rodeo with Raymond. Drawing at home. In the studio. In the wilderness. One dawn, after we'd danced alongside generations of a family at an autumn barn dance, I sat on a dry grassy hillside and drew their historic barn.

Curiosity and discipline got the drawings made. Courage helped me post them. Ink is unforgiving. You can't erase. There were imperfections. These were exercises. I certainly hadn't set out to make anything “sell-worthy,” whatever that means…

But to my surprise, people responded. They began asking if they could purchase the drawings. Some I gave away. Many found homes.

I kept just one.

A little drawing of the Velveteen Rabbit from a favorite childhood story. Looking back now, I believe I saw something of myself in that tender, well-loved and unintentionally abandoned little rabbit. Somehow, that stuffed rabbit spoke to the place I was finding my way out of.

Those 31 days became what I later described in my Journal as “baby steps through the fear.” And now, eleven years later, October 1st has rolled around again. This time, I'm saying yes before the day slips away.

INKtober 2026 begins today.

I will create one original 6 × 8 inch ink drawing every day throughout October and share it as it emerges. This time, each new original will also be offered for sale.

I don't know what today's drawing will be.
That's part of the adventure.
31 days. 31 original drawings.
One day, one drawing, one small act of creative courage at a time.

Follow INKtober 2026 as the collection unfolds →

When Art Finds Its People

For the fourth year in a row, Raymond and I returned to Loveland, Colorado, for the annual Sculpture in the Park show.

Created by artists for artists, it is the largest and one of the most esteemed outdoor sculpture shows in the country. Run by a giant posse of enthusiastic volunteers, the juried show brings together top-notch sculptors from around the world.

We arrived a few days early so I could spend time at the foundry, to oversee the final finishing and patinas on bronzes before the show. We reconnected with old friends, made new ones, talked art and bronze and life… and sent more than a few sculptures off into the world with people to love them.

But perhaps my greatest joy is simply witnessing the response. The spark in someone’s eyes when they meet Jake. A little critter cupped tenderly in someone’s hands. The personal stories people share with me. The unexpected hugs.

I spend much of my life alone in the studio making things. I’m learning how beautiful it is to stand on the other side of that process for a few days and receive the love coming back.

Full of gratitude and warm-fuzzies.

Fire Horse

There are moments when something opens… and there is no going back to the way it was before.

On stage…

Vú Ja Dè was one of those nights - an evening of artists gathering without script, creating in real time, held only by presence and trust.

“Paint and tears flowing - my edges felt edgeless - my heart soft, expansive and powerful.”

From my journal…

Painting while sharing energy, love, loss, presence…it felt like riding a Fire Horse bareback.
Gentleness. Power.

Moments barely hanging on - knowing I could be thrown, and also feeling the horse and I in flight.

I had to trust memory carried through lifetimes of making while immersed in the energy of the audience - the energy of my dear friends on stage and my own emotions.


Prayer and play.

I wasn’t just painting a horse - I was cracking something open in myself. The veil was thin. I became devotion.

Now I am back in the quiet of the studio. Back in the stable. Muscles still trembling from the ride.

The painting is here with me and I am listening for what it wants now.

Vú Ja Dè was a threshold night. An activation. A transformation. Holding intense presence. Feeling everything. No sense of time

Flow - and flowing.

Offering and receiving. Emergence and impermance revealed.

For those who feel curious to witness the evening as it unfolded, the livestream is still available here → Vú Ja Dè event photos courtesy of Yarrow Kranner

Opening Night: Zen Rabbits

A handful of my Zen Rabbits hopped into the world for this show. Quiet companions born from charcoal, breath, and the stillness between thoughts. Each one carries a whisper of calm, a moment of pause in a complex world. I drew them during mornings wrapped in silence, when my mind softened and the hand simply followed my heart. Seeing them on the wall - simple, tender, unguarded - felt like watching peace take shape.

A Quiet Sendoff from an Old Companion

bronze bison sculpture at Bozeman Airport

There’s a quiet comfort in finding an old friend just when you’re about to leave - even if he’s made of bronze. I carved this young buffalo from Black Walnut in my 20s. Frankly, he carved a part of me.

Now, decades later, he waits, steady and silent - a patient companion at the threshold of so many journeys. I leave, I return and still he waits, steady as the mountains that first shaped us both.

Izar

“I felt compelled to look at ‘Izar.’ My focus immediately spiraled into his eye. I felt jolted, shaken, and then flooded with soothing waves. As if I was being held, contracted with and released. It was something…flow.”

The words above were recently shared with me via text by someone who has this raven print “Izar” in his life.

Alchemy through art.

Click here to view the whole painting

"Hakuko" - from "The Secret Keeper Series"

Created with mixed media: burned wood, gold leaf, turkey skull, lingerie and feathers

Each skull is a thumbprint of the life it bore.  Naked.  Stripped from the colored clothing and of flesh; vulnerable and venerable.  Bones whisper.  

I’m drawn to the whispering.  I listen.  I respond.  I adorn.

“The Secret Keepers” series were born during the weeks spent in service to ten turkey skulls and their whisperings.

“Hakuko” is adorned with remnants from my own nightgown along with Blue Jay feathers and plastic pearls from my wedding preparations - mounted on gold leaf and burned wood.

I couldn’t be more thrilled with the special being who purchased “Hakuko” at my studio open house last month. Today I will carefully pack and ship the piece to its new home in Tucson.

Please respond, call, email or text if you are interested in seeing more of the “Secret Keepers”

(the feathers were sustainably sourced in the UK)